Category West

A Night at the Victorian Mansion

I’ve never stayed at a bed and breakfast before. I’ve always been a little leery of them, as I’ve been under the impression that it’s generally all the awkwardness of sex at Grandma’s house plus forced socialization with a bunch of strangers who are also trying to have awkward sex at Grandma’s house. That they are doilied wallpapered oversized dollhouse behemoths with a bunch of weird rules, weird smells (which turns out to be potpourri stuffed in every drawer), and a weird breakfast when all you want to do is just leave. So it would be safe to conclude that it would take an extraordinary bed and breakfast to get me to break my no B&Bs rule.

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And I found one.

The Victorian Mansion was built in 1864 and moved thirty miles down the coast to its current location in Los Alamos in 1980. From there, it took nearly 200 artists/craftsmen almost ten years to create the six themed suites inside. The current owner had fond memories of staying there and dreams of operating his own B&B based on this one, so when he discovered that the original owner had died and the person who had purchased it had let it fall into a state of disrepair, he bought it in 2007 to restore it to its former glory. It took another full year to make it as grand as he remembered it to be, and he has plans to turn a yawl he has out back into another suite and perhaps even to add a treehouse suite.

This isn’t to say that they don’t have at least one weird rule–their latest check in time is 6pm, and past 6:30pm, your reservation is canceled. When I made my reservation, I indicated that we would be there before 6 but not much before as we were on a road trip and had stops to make and traffic considerations. Even with that note on file, they called when we were having lunch at 4 to make sure we were still coming, which is why I didn’t feel comfortable lingering long in Solvang, lest I linger my ass out of accommodations for the night.

When we arrived, all of my (slight) bitterness about not being able to wander around little Denmark for a while longer disappeared. The staff member greeted us at the gate, told us about the history of the place, and was happy to give us food and entertainment suggestions in the area. victorian-mansion-2-of-27

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She also gave us a tiny tour of some of the unoccupied rooms which made me even more hyped for my room. Here’s the 50s room, where you sleep in a converted Cadillac at a drive-in, dine at a snack bar, and do your makeup at a starlet’s dream vanity.

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When I booked my room, I agonized between the pirate suite and the Egyptian suite, finally settling on the Egyptian. I’m sure I would have been well-pleased with any of the rooms in the house, but after the staff member showed me all of the various room amenities, I was even more thrilled I’d gone with this room. First off, the door is made of solid stone (1500 pounds worth!) to let you know they mean business.

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When you enter the room, there’s a cool seating area with poufs, an elaborate couch, and beautiful windows to look out over your kingdom and/or make sure you didn’t leave your car’s lights on. I can tell you from experience that anything eaten while sprawled on that couch makes one feel pretty damn royal. I first tried a date, which was both delicious and theme appropriate, but to really put this theory to the test, I also ate a pop tart. That shitty, dry pastry was somehow transformed in this setting to the food of the gods. All I needed was someone to fan me and the experience would be complete.

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There were a number of hidden panels on the wall, one for breakfast delivery (which we were not partaking in, owing to another early start), one that contained the TV, a large one for a closet with robes and storage for your things,  and another with the AV equipment–theme appropriate DVDs (plus Sideways, which is in all the rooms because it was filmed in the area), a themed game (backgammon) and a mood music cd which is playing when you enter the room. Also on this wall is a gas fireplace and a pillowed reading nook, in case you get tired of this room of luxury and need some escapism into whatever trendy dystopian world the young adults are reading about these days.

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The bed is an elaborate four post uplit affair on a raised platform with stairs, which is super cool and fun right up until the point where you forget about the stairs and try to get off the bed at the foot or stumble down them in the middle of the night, which is why my bed at home remains stairless. Also, my ceilings aren’t high enough. At least until I move into a haunted victorian mansion of my very own.

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The room also has a hot tub in the corner, which is perfect in this setting (unlike, say, The Love Bunker) because you could choose whether or not to avail yourself of it as there was a proper enclosed shower in the bathroom. They also included a glass decanter of Dr Teal’s foaming bath milk, which thrilled me not only because of its theme appropriateness but also because it’s one of my favorite at home bath additives.  Speaking of the bathroom, it’s hidden behind a golden sarcophagus–to gain entrance to the room, pull on the beard to pull it away from the wall.

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Inside, the room is muraled to within an inch of its life, with every little detail done to perfection from the golden taps to the raised hieroglyphs in the shower to the asp lights. This was it, right? It couldn’t get any better from here, right?

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WRONG. There’s another hidden panel wall that opens to reveal the room’s private balcony. AAAAAH. I was in love. To recap: cool furniture, hot tub, fireplace, fun lighting, and TWO SECRET ROOMS. It’s enough to make a girl want to carve out another hidden panel to hide herself and move in permanently.

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Feed These Bad Boys!

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On the trip back from southern California, I decided to take the slightly less direct but vastly more scenic pacific coast highway. It was an opportunity to see different sights, try different things, and even though it would make the trip longer, it would feel shorter and that’s the important thing. Because as much as I love road trips, those long repeated stretches of sameness can really weigh on me, make me feel more anxious, less patient…all those qualities I don’t want to draw out on a long drive. So the pacific coast highway it was, and what an excellent choice it turned out to be.

My first stop was in the adorable town of Solvang, which has been built to evoke the feeling of a tiny trip to Denmark, with its half-timbered architecture, windmills, and even a replica of the Copenhagen Little Mermaid statue. The four sided brass clock standing on the corner of Atterdag road is an antique Ansonia, and the only one of its kind in the world. Sadly, I didn’t get much more than a quick peep at the town and a late lunch at the Fresco Valley Cafe–I sat outside to better soak up the sun, and it seemed like every fly in the greater Solvang area paid me and my sandwich a visit. I have since read that the flies in the area are a huge problem August through October, so if I were to go back, it’d be in the off season while the flies are vacationing elsewhere, because if I’m going to have to twirl my arms around my head every few seconds, I’d better be on ecstasy and at a rave, not trying to eat a fecal matter free sandwich.

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The most important stop of the day beckoned from the roadside between Solvang and our destination, a bright green sign reading “Ostrichland USA FEED THIS BAD BOY!” What? A new opportunity a mere 733 miles from my last ostrich-based disappointment spotted in the same week? This wasn’t merely opportunity or even ostrich-tunity: this was destiny.

OSTRICH. DESTINY.

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They do charge an admission fee, but the first bowl of food is free with two adult admissions. When the employee asked how many additional bowls of food we wanted, I told him that the free one would probably suffice.  I couldn’t have been more wrong.  Up close, ostriches resemble nothing so much as giant deranged muppets, with their long bendy necks, their exaggeratedly large eyelashes, and their beaks hanging agape in anticipation of food. It makes them look half cute and half vacantly stupid. There was simply no way for me to anticipate the utter violence with which they eat. Even the signs that say that ostriches enjoy biting, the feeding instructions that indicate to hang on to the dustpan handle with both hands, and the slogan “feed these bad boys” only gave me an inkling of the pellet-based devastation that was about to occur. They absolutely slam their heads over the fence and into the bowl, the feed inside disappearing in seconds, some attempting to even rip the bowl away from the feeder.

Obviously, we needed to buy more pans of food, at least two. They were hungry, they were bad, and they required no fewer than two more pans. They told me this with their pleading gazes and also with their threats of violence if their demands were not met. I was quick to comply.

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They also had emus at ostrichland, which are smaller but almost equally imposing as they are able to get their heads out from between the fence slats, the better to glare with their dinosaur eyes and vocalize their eerie, rumbling groans.

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Owing to fence placement, it’s hard to get a photo of an entire ostrich–either you get the disembodied head or the beheaded body but not both. There were large rectangular gaps in the fence, presumably for the feeding of the animals, and I found one with no ostriches nearby so I could peep my head inside and maybe get a full body shot or two. Which, owing to the violence I just witnessed, was indeed incredibly stupid, a point which was hammered home when not ten seconds later Jason warned me about an ostrich that was silently creeping up on me, not doubt to bite at will with all the pleasure it could muster, with maybe a kick or two for good measure. And I absolutely would have deserved it.

solvang-17-of-29This sneaky motherfucker.

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And once I thought I had grasped just how terrifying an ostrich could be (they’ll now be known as “the silent killer” in my house), they started showing off their creepy second eyelids in my photos, like they’re telepathically communicating with a hellish underworld that has issued a literal pecking order for my murder. Specifically my murder.

Their babies sure are cute, though.

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And the fat ass dappled squirrels who enjoy a bounty of scattered food aren’t bad, either.

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We had time for one more quick stop before we had to get to the hotel for the night, so we swung into Pea Soup Andersen’s, which is famous for its (you guessed it!) pea soup. You know, as famous as a place can be for something like pea soup, which is not even cronut levels of fame. But I guess as far as pea soup goes, Pea Soup Andersen’s is the Beyoncé of soup. Just ask for a bowl of Peayoncé.

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solvang-28-of-29Their pressed penny machine? Broken. Their soup of the day? MINESTRONE.

solvang-29-of-29For shame.

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Guillermo del Toro: At Home with Monsters

“Holy crap. Holy crap. Holy crap.” was about the extent of my thoughts when I first heard there was going to be an exhibit of items from Guillermo del Toro’s home, Bleak House, at LACMA. Even though I had just come back from a trip to southern California when the news broke, I knew I’d have to get back down there before the exhibit left. I had to. Truth time: I actually pinned a photo of the interior of del Toro’s home to my “dream house” board on Pinterest before I even knew to whom it belonged. How many times in life are you going to get an opportunity to walk through your dream house? Especially if you’re like me and your tastes are a little, uh, unconventional? So now you see why I found it imperative to get my butt to Los Angeles.

“Holy crap. Holy crap. Holy crap.” was about the extent of my thoughts as I was walking through the exhibit. While there are quite a few things from Guillermo del Toro’s movies on exhibit (after all, it’s really easy to collect one’s own work), this is not a retrospective exhibit in that it mainly focuses on del Toro’s inspirations, making the overall effect one of being able to geek out with one of my favorite directors about his favorite things. And, as it turns out, a lot of my favorite things as well.

Guillermo del Toro loves labyrinthine Victorian mansions and Victoriana? Me too!

Guillermo del Toro loves monster makeup and the artists who bring it to life? Me too!

Guillermo del Toro loves the spooky-ass artwork of Stephen Gammell? Me too! In fact, his creepy illustrations for the Scary Stories line of books may well be at the root of my love for all things dark and spooky.

Guillermo del Toro loves fairy tales and folklore? Me too!

Guillermo del Toro loves weird taxidermy? Me too!

Guillermo del Toro loves rainstorms to the point of engineering a room in which it appears to be raining 24 hours a day? We definitely diverge there, I would do nothing in that rain room but sleep.

And this exhibit? I loved it, too. The show itself is labyrinthine, like the old Victorian home styling del Toro admires.

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I was so stoked to be able to get up close and personal with the costumes from Crimson Peak. Most exhibits put costume work behind glass, the reflections of which make it very difficult to see detail, especially if it’s dimly lit. Here I was able to get up on it, get my face close in and see the stitching and the buttons and everything else that’s moving too fast on screen to truly appreciate.  I was especially enthralled with the “mother ghost” costume, with all of the moths and botanicals worked into the the tulle. My blog photos do it absolutely no justice, it was a stunning piece of work.

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A tableau to Charles Dickens, del Toro’s “Bleak House” is in reference to Dickens. 

del-toro-9-of-68  I want shelves like these for my house. SO BADLY.

del-toro-12-of-68T-B, Portrait of Cousin Eerie, Portrait of Uncle Creepy, Richard Corben

del-toro-13-of-68cw from left: Amelia, Queen of the Sea Monkeys, circa 1879, The Coachman and His Brother, The Strangler, Travis Louie

del-toro-14-of-68Kaiju parasite from Pacific Rim 

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One of del Toro’s sketchbooks , used when planning Pan’s Labyrinth

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del-toro-24-of-68Cronos device from Cronos

del-toro-25-of-68Hey, Night on Bald Mountain was my favorite part of Fantasia, too!

del-toro-26-of-68The Great Ancestors, Mœbius (Jean Giraud)

del-toro-27-of-68Landscapes, Eyvind Earle

The exhibit also had a number of pieces by Eyvind Earle, most noted for his work as a Disney background artist in the 50s. He did all the styling, background art, and color for Sleeping Beauty, which is actually one of my favorite Disney movies on styling alone. His artwork is gorgeous, but more than anything, I couldn’t believe how much the black velvet matting complemented the work, making it stand out in truly extraordinary fashion. I’ve generally been opposed to matting any artwork I buy, for a bunch of reasons–it’ll require a bigger frame which is more expensive, takes more space on the wall, mat board is stupid expensive for what it is, generally I don’t think it puts much on the table given its downsides, but primarily, I just plain hate cutting mat board. My high school art projects always had the shabbiest mat job, cutting straight crisp lines is evidently beyond me. But this black velvet is making me reconsider my mat stance, it’s that striking.

del-toro-28-of-68Clinkity-Clink, Stephen Gammell

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del-toro-33-of-68Dick Smith, father of modern makeup effects. Bust by Kazuhiro Tsuji

del-toro-34-of-68Ray Harryhausen, sculpture by Mike Hill

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del-toro-36-of-68God, I love this cookie-stealing skeleton.   

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OLYMPUS DIGITAL CAMERA

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del-toro-48-of-68Dystopia! “Feed my beast with your blood”, Christopher Ulrich

del-toro-49-of-68l-r: The Tourist VIII, H R Giger, Duke Agares Seated atop a Shuffler, Wayne Barlowe

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del-toro-51-of-68On the wall l-r: Pip and Jo-Jo the Dog-Faced Boy by Gail Potocki

del-toro-52-of-68The Evil Eye, Chet Zar

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del-toro-61-of-68Divine Messenger, Craig LaRotonda

del-toro-62-of-68The “rain room”. Droplets of silicone are adhered to the outside of the windows to give them a rain streaked appearance, and a projector and sound system handle the rest of the rain effect.

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del-toro-64-of-68Another of del Toro’s sketchbooks

One of the most impactful statements in the exhibit for me was a quote from del Toro: “As a kid,” the filmmaker recalls, “I dreamed of having a house with secret passages and a room where it rained twenty-four hours a day. The point of being over forty is to fulfill the desires you’ve been harboring since you were seven.”

If that’s what the post-forty life looks like, sign me up. I can’t wait until I get my unicorn.

 

The del Toro exhibit is at LACMA through November 27th, after which it will move to the following cities (dates TBA): Minneapolis, Toronto, Mexico City, Barcelona, Paris, New York City

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