The big day was finally here. Finally. Four days and around 1,500 miles had passed since we started this fool’s errand epic adventure, all for the express purpose of being right here: Meow Wolf’s House of Eternal Return. But first, a quick stop at Angel’s Bakery & Cafe for a ham, cheese, and green chile croissant, because I’ll be damned if I was only going to get one full day in Santa Fe and not stuff myself with as much chile as humanly possible.
If you haven’t heard about it (in the months before the trip, it seemed like I was reading/hearing about this place everywhere, in the way that only the Baader-Meinhof Phenomenon can explain), Meow Wolf is an art production company that creates immersive experiences. With some funding from notable Santa Fe resident George R.R. Martin, they were able to buy and convert an old bowling alley into a permanent interactive art space they’ve named The House of Eternal Return. The building also contains a nonprofit education center for children and a makerspace For my part, knowing I intended to visit someday, I tried to know and read about it as little as possible before visiting. I believe I initially heard about it on NPR, and when Emily linked an article about it on my facebook wall (which kicked off this entire journey), I didn’t even read it, not wanting to feel familiarity instead of awe when I stood before it. If you intend to visit someday, I encourage you to do the same and actually not click the “more” link where I go into the house in depth so you can see it with fresh eyes. If you’d rather visit vicariously or you think the concept of spoilers is bullshit, by all means, read on past the cut.
They wanted to fondle the mandibles for some reason.
We were some of the first people through the door that morning, and were so amped up we could probably collectively take down 50 toddlers who had been turned loose in a sugar factory. When we told the ticket seller that we’d road tripped from Washington to be there, he grinned from ear to ear, gave us the resident’s discount, and told us about another group he’d seen that had come, spent the entire day, went back to their hotel that night, thought about what they’d seen, and then come back the next day to further work out the mysteries of the house. There would be none of that for us: in order to keep to our schedule, we had to see and absorb what we could in one day. The first half an hour, we moved around in hushed awe, with only one other group present, sticking to the first couple of rooms of the house and eventually deciding to split up so that we could each experience it on our own terms. Because it’s the nature of art that different pieces and themes would appeal to us differently individually and very little is a joy-killer so much as looking at something that speaks to you on a primal level and having someone huff over your shoulder because they’re ready to move on.
I would have paid anything to have the space solely to ourselves, and that’s not selfish misanthropic Mellzah talking. I don’t have “shut the place down for my selfish pleasures” kind of money–if you’ve been reading my blog for any length of time, you know this. And yes, while I have been known to utter “I hate people” in a crowd more than once, it isn’t about my urge to go hide in a cave for three days after attending some massive event. There is so much going on in the house to learn and discover, some of which can really only be experienced by one person at a time, and it is unbelievably distracting and frustrating to have crowds elbowing around you, children screaming, and one group stymieing an area key to the mysteries for hours at a freaking time. I think the overall experience would be immensely improved with the addition of adult-only hours, timed entry, and potentially a limit to the amount of people who can be in the exhibit at once (that is significantly lower than the max set by the fire department). I would pay significantly more for a ticket to have significantly fewer people there. Had I known then what I know now, I still don’t think I would have immediately rushed to the depths of the house to experience them alone, because there is important context at the start, but there are some areas I would have tried to get to earlier so that I could be the one monopolizing it. THAT is selfish Mellzah talking.
Beyond here there be spoilers as well. And about a bullion pictures which will eat up your entire data plan if you’re browsing on mobile. YOU HAVE BEEN WARNED.