On the banks of the Loire, east of the Atlantic, lies the city of Nantes, the birthplace of surrealism and Jules Verne. France’s largest harbor in the eighteenth century, Nantes experienced deindustrialization when the shipyards closed and the water was diverted, drastically altering the landscape, changing the economy, and creating the Isle of Nantes. In 2007, with the vision of François Delaroziere, it became the Isle of Machines.
François Delaroziere has always had a passion for nature, drawing, and fabrication, and in 1991, began bringing mechanical animals to life with the French theater company Royal de Luxe, also based in Nantes. Together, their work culminated in The Sultan’s Elephant, a 42 ton mechanical elephant designed by Delaroziere that toured the world in 2005-2006. Shortly thereafter, Delaroziere left Royal de Luxe to found his own company, La Machine, and, collaborating with Pierre Orefice, created Les Machines de l’île. Their first work was The Great Elephant, an inexact replica of The Sultan’s Elephant (which was destroyed, reputedly by the theater company because they were sick of doing elephant shows). This 45 ton behemoth is bigger and better than its predecessor, primarily because now it can carry passengers for a ride.
And I was going to ride that ride.
