Searched For museum

I was walking with a ghost

It’s no secret around these parts that I have a thing for roadside attractions. Yet for some reason, up until recently, I had neglected to check the Roadside America website for the strange and unusual in my own backyard. This is how I ended up at the Seattle Museum of the Mysteries on Saturday night. Also, how have I not been to see the troll under the Fremont bridge yet? Or to the Spite House?

It’s really a museum in the the very loosest sense. They have a few bookshelf displays–a couple on the history of the location, one on ‘Mel’s Hole’ and one on DB Cooper. The rest appears to be the results of a lifetime of collecting books on the paranormal and occult, with one lonesome plasma ball hanging out on a table.

We had arrived about 20 minutes early for that night’s lock-in, where we would be “participating in our ongoing paranormal investigation of our resident ghost, Peter Alexander Dunnovitch” by playing poker with him. But before that, we had to sit through the remainder of the ‘Ghost Hunter’s Meeting’ which registered at about an eleven out of ten, hilarity-wise. One group fervently espoused the need for psychics on the ghost-hunting team to ‘assist in pseudoscience by peering over the cliff of the known, where scientists dare not see’, while the other group indicated that no, they were scientists, and would do things scientifically. The first group countered that the second can’t rightfuly call themselves scientists if they’re not endorsed by, or members of, an official scientifc organization, to which the second group angrily retorted “Oh, so YOU can do science, but we can’t?” I was struggling between two major urges at that point: the urge to laugh maniacally, and the urge to blurt out “NONE OF YOU ARE DOING SCIENCE. I KNOW THIS BECAUSE I AM A SCIENTIST.” Another woman was also facing an internal struggle, and her struggle became quite clear to us all when she started snoring on the couch. Clearly, scientific debate doesn’t hold everyone in thrall.

After the ghost hunters cleared out, there were just three of us left–a ‘gun-toting republican ghost-hunter’, my date, and me, plus the museum employee. The museum employee (one of the psychic scientists) sat us down in front of the TV to show us a little bit about the history of the location as a prohibition bar, and afterward, she took us on a tour. As a psychic scientist, she had a lot of theories regarding just about everything. She had a theory that liquor was smuggled into the bar via the women’s club next door. She had a theory that a lot of the areas that were walled off, yet should’ve been accessible via the blueprints, were all secret passageways. She also theorized that these secret passageways have been backfilled at some point during the last 100 years. She showed us the inside of a closet, and theorized about the gap in the wall. She took us into the women’s bathroom, and theorized about a secret passageway. She talked about the exposed brick in the men’s bathroom and theorized further. So I wasn’t at all surprised when she took us through a cluttered service closet into a back alley and said “I have a theory that this is the most romantic spot in all of Seattle.” I know that when I am standing in a freezing cold, filthy alleyway blocked off by a chainlink fence topped off with razorwire, I think ‘true love’.

Next on the tour was the Harvard Exit Theater, which is supposed to be the most haunted place in Seattle, with employees reporting doors opening and closing by themselves and patrons reporting feeling someone fondling their hair, bathroom doors locking themselves, and ‘balls of leaves’ floating down the stairs. The psychic-using scientist also took a moment to theorize on why there were so many women’s organizations in one block, and what purpose they served in the community. After we went back to the museum, it was time for some ghost poker. Although I am by no means a spectacular poker player, I can hold my own, and was looking forward to playing for a while, ghost or no ghost. Had I known we were only going to play two hands, I would have bet more aggressively.

After our two hands (during which the ghost made no appearance, scientifically or otherwise), the tour guide had each of us draw a card, and said she would return in a moment. When she came back, she had us flip over our cards, and the person with the high card got to be the leader of a ghost hunt. Showing my natural inclination toward dominating others, I had drawn an ace and subsequently got busy ordering the other two around, as is my wont. The tour guide handed me a thermal video camera, I had the other two conduct a game of rock-paper-scissors to see who would use the EMF detector, and the other person became the Keymaster. This video–I can’t even begin to describe it. It was comedy gold. Our mission was to go into the women’s bathroom in the dark, do a baseline EMF scan around the room (noting that there are electical wires and whatnot around), then implore the ghosts of the women’s club to assist us in finding the secret passageway, and do another EMF scan. Afterward, we were to look in the mirror if we dared. It was clear on the video that we were all pretty uncomfortable, unbelieving, and out of our element, and the sarcasm flew fast and thick. The gun-toting-Republican-Keymaster asked the ghosts to do something to make him shit himself. We stood in front of the mirrors and chanted “bloody mary” and “candyman”, respectively. I wish to Cthulhu we’d gotten in some ‘light as a feather, stiff as a board’ and all of the other sleepover activities from my youth, but alas, we were short on whipped cream, sharpies, and a freezer in which to stuff people’s underwear. I further wish I’d been able to coerce the psychic-using-scientist to give me a copy of our footage. Since I wasn’t, here’s a picture of me and their Sasquatch.

Who wants to go back on ‘Weird Science’ night?

Wisconsin Day Three: The Crazy House

“If this was the afterlife, he thought, it was a lot like the House on the Rock: part diorama, part nightmare.” -Neil Gaiman, American Gods

On Friday, Nicki and I went to Spring Green to visit The House on the Rock, or as I like to call it, The House That Spite Built. You see, Alex Jordan, the madman behind Spite House, fancied himself quite the architect, even claiming to be on par with Frank Lloyd Wright. Frank Lloyd Wright, on the other hand, sneeringly dismissed Jordan with “I wouldn’t hire you to design a cheese crate or a chicken coop.” Thus, Jordan decided to build a monstrous parody of Wright’s Taliesin home, also located in Spring Green. The House on the Rock was so named due to its rather unusual placement on a 60-foot chimney of rock, which forced some individual rooms to have very odd, disconcerting proportions.

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The ceilings in the original house were almost universally low, which has prompted me to wonder whether Alex Jordan was an extremely short man, or if he simply did not have access to a ladder whilst he was building it–in some areas, my 5’2″ self could stand on tiptoes and smack my head on the ceiling.

There were some random, locked doors, high up on the walls, and rooms where people were intended to be seated were raised even further off of the ground so that heads would still be quite close to the ceiling, offering no respite for the claustrophobic.

During his lifetime, Alex Jordan’s friends believed he lived in abject poverty, and in a way, it was true: he never had any money because he was always spending it on more STUFF to fill his home. Every room was packed to the gills with STUFF. By no means am I a minimalist, but after a short while, even I was overwhelmed by the sheer amount of STUFF in the tours; by the end, Nicki and I were almost running through the exhibits because we just couldn’t take any more.

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This musical display played the ‘Godfather’ theme on a constant loop, which may or may not make the nearby security guard feel like a macho, macho man for eight hours a day.

The standout of the tour through the original House is the Infinity Room, which projects out over the Wyoming Valley 218 feet and contains over 3,200 windows.

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This room? Terrifying. Just as you peek your head over the railing to look out the glass panel on the floor to see just how far out you are, high above the treetops, you are reminded that this is someone’s homemade construction project AND of your own mortality as it sways in the wind.

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I thought this statue was neat; the spiral staircase next to it was rickety and terrifying.

The original House comes to an abrupt end, and we’re pointed by a helpful wizard to tour two.

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Tour two begins in the Millhouse opened in 1968, and houses way more crap than you’d believe any one human being could collect. The first rooms contain a lot of antique guns, dolls, mechanical banks, suits of armor, and so on and so forth.

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I would imagine that your seriousness about a situation may increase exponentially with the number of barrels you choose to have on your gun. These guns, as you can see, are Serious Business.

Here are some suits of armor, dwarfed by a fireplace the size of my apartment:

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And here is a clown bank that will surely be featured in an upcoming nightmare.

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The tour continues into the ‘Streets of Yesterday’, which opened in 1971. It’s a recreation of a supposedly typical 19th century main street. The proprietors claim that this area is intentionally dim to simulate a nighttime environment, but really, the whole House is overly dark, to the point where it’s difficult to photograph anything, and additionally makes everything seem like an extended creepy dream.

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I want to travel back in time and feed people ‘medicinal’ tapeworms.

It was right around the ‘Streets of Yesterday’ when you could start plugging tokens into machines to make various mechanical things in the rooms start to play, and Nicki and I happened upon one titled ‘Death of a Drunkard’–this is one I’m glad we saw early in the tour as some of the mechanical things were on the disappointing side and I might not’ve been as inclined to put money into the machine later down the line.

Watch, and be amazed:

The ‘Heritage of the Sea’ opened in 1990, and features a 200ft whale battling with a giant octopus. The only thing that could make this room more awesome would be the inclusion of a tyrannosaurus standing atop the whale, screaming in triumph.

Here’s a small version of the battle, as there is nowhere in the room where you can photograph the enormous battle in its entirety. It’s simply too dark and too large.

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See what I’m talking about? This thing is HUGE.

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Along the sides of the room, on all three levels, they have many museum-sized model ships and other historical nautical pieces, including a large Titanic display, and Chester the Molester in a diving suit.

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After the Octopus Garden is the Tribute to Nostalgia building, with even more nightmare fuel.

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After Tribute to Nostalgia came the Music of Yesterday exhibit, which is one of the largest collections of animated and automated music machines.

‘Death of a Drunkard’ might’ve been the best quarter I ever spent–the best fifty cents has to go to the Mikado room. (This is not our video, but one I found on youtube, in case you were breathlessly awaiting more of our delightful commentary.)

 

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I find it delightful that she’s peering into the rear end in front of her with obvious glee.

Shortly after this, we came to the World’s Largest Carousel:

Calliope music played: a Strauss waltz, stirring and occasionally discordant. The wall as they entered was hung with antique carousel horses, hundreds of them, some in need of a lick of paint, others in need of a good dusting; above them hung dozens of winged angels constructed rather obviously from female store-window mannequins; some of them bared their sexless breasts; some had lost their wigs and stared baldly and blindly down from the darkness.

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And then there was the carousel.

A sign proclaimed it was the largest in the world, said how much it weighed, how many thousand lightbulbs were to be found in the chandeliers that hung from it in Gothic profusion, and forbade anyone from climbing on it or from riding on the animals.

And such animals! Shadow stared, impressed in spite of himself, at the hundreds of full-sized creatures who circled on the platform of the carousel. Real creatures, imaginary creatures, and transformations of the two: each creature was different. He saw mermaid and merman, centaur and unicorn, elephants (one huge, one tiny), bulldog, frog and phoenix, zebra, tiger, manticore and basilisk, swans pulling a carriage, a white ox, a fox, twin walruses, even a sea serpent, all of them brightly colored and more than real: each rode the platform as the waltz came to an end and a new waltz began. The carousel did not even slow down. “What’s it for?” asked Shadow. “I mean, okay, world’s biggest, hundreds of animals, thousands of lightbulbs, and it goes around all the time, and no one ever rides it.”

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“It’s not there to be ridden, not by people,” said Wednesday. “It’s there to be admired. It’s there to be.” – Neil Gaiman, American Gods

The carousel marked the end of tour two and the beginning of tour three. It was at this point that I started to feel fatigued and overwhelmed just from looking at things; tour three’s rooms are mainly displays of things more museum-style, with less of the grandness of vision that created things like the Mikado room.

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There were rooms full of dollhouses which I could appreciate for their intricate construction but I still find immeasurably creepy, particularly this one, with a figure peeping out of the attic.

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Next came a series of circus rooms, with a collection totalling over one million pieces. In addition to some giant elephants, there’s a 40-piece animated circus band that plays in concert with an 80-piece orchestra, for a cacaphony of sound. It took 14 people three years to create, and has 37 miles of wiring and over 2000 motors. The room also houses a large number of mechanical displays, all of which were pushing people to buy diamonds.

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‘Take Humpty Dumpty’s advice and buy that diamond now.’ ‘One of our beautiful diamonds will help.’ (With what, exactly?) ‘A beautiful diamond might persuade her.’ (But drugs in her cocktail are more of a sure bet.) ‘When the walrus speaks of diamonds, he means our beautiful gems.’ ‘One of our beautiful diamonds will help.’ (Help keep the couple inside the burning house from burning alive? WHAT?)

There were HUNDREDS of these things.

After that came another collection of guns, one of which was embedded in a prosthetic leg. If I ever lose a limb, I want my replacement to be slotted for weaponry!

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After the guns came the ‘Oriental collection’, the ‘armor collection’ and the ‘crown jewel collection’, which are replicas of the Tower of London’s Crown Jewels and other assorted items of royalty. It was around this time that we began blasting through rooms; I was so overwhelmed by stuff at this point that I lost all of my social niceties and began openly laughing at a family that was yelling at their son to come take a picture with them by the Forbidden City replica RIGHT NOW.

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After all of that came the Doll Carousel room, which houses not one, but TWO Doll Carousels, in case you hadn’t seen enough terrifying, dead-eyed things in one day.

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One of them is riding a pirate!

Also in the doll carousel room, in a surprising contrast, was the World’s Largest Cannon, which was (again) so large, I couldn’t take one decent photo of it. Unforunately, there was no token-taking contraption that would allow you to fire said cannon–I’d probably pay a week’s salary to do it, on the condition that I get to aim it at one of the doll carousels.

ALSO in the room is a sculpture of the four horsemen of the apocalypse. Fitting, as at this point, you have seen so much crap, you’re pretty certain you’ll die at any moment.

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After the four horsemen, you’re brought back around to the world’s largest carousel and immediately afterward, you’re finally expelled back into the fresh air and wandering walkways to ensure you don’t leave without passing at least one gift shop.

All in all, I enjoyed the House on the Rock as I wholeheartedly love most all roadside attractions; they give me satisfaction on a deep, lizard-brain level, but visiting once was certainly enough for me–I don’t feel a pressing need to attempt to return to view their Christmas display, full of 6,000 Santas staring with dead eyes: the one in the bathroom, watching to see if I washed my hands thoroughly was enough.

Monster Movies

I’ve made it a personal goal to watch at least one ‘scary’ movie per day in the month of October–I have to keep it lighter or cheesier on days when Amy is around as she doesn’t do so well with anything gruesome, much in the same way that I feel I should include ‘When Harry Met Sally’ on this list; romantic comedies make my stomach churn. So far, I’m doing really well; and as an added bonus, the movies have helped me keep my Halloween mojo up so that I’m motivated to continue to sew while I watch, when ordinarily, I would’ve become disinterested/lazed off by this point.

October 1st The Brain that Wouldn’t Die (MST3K version) B/W Original movie: 1962, MST3K treatment: 1993 One of the funniest MST3Ks I’ve ever seen, with a line delivered during the car accident scene that will likely carry me for the rest of my life–“Diarrhea was raging inside me like a STORM!” I laughed until I cried.

The Lost Skeleton of Cadavra B/W, 2001 Intended as a send-up of the 50’s B movies, and hits the mark perfectly. The world was disemboweled in terror!

October 2nd Sweeny Todd: The Demon Barber of Fleet Street B/W, 1936 Obtained for the purchase price of one dollar at Fred Meyer (with two movies AND a monster cartoon!), it’s a swell bargain but just an ok movie. The cannibalism aspect is merely hinted at, and the transfer is poor at best; dialogue is glitchy. You get what you pay for, I suppose.

Sleepy Hollow Color, 1999 I’d slam Johnny Depp like a Halloween pumpkin.

October 3rd Nightmare Before Christmas Color, 1993 One of my all-time favorites.

House of 1000 Corpses Color, 2003 Captain Spaulding is one of the greatest scary clowns ever. In fact, I may have to be Captain Spaulding for Halloween next year! Also, if a ‘fried chicken and museum of oddities + murder ride’ actually existed, I would vacation there every summer.

October 4th Prince of Space b/w, 1959 This movie made me sad to be alive.

Evil Dead II: Dead by Dawn color, 1987 This remains one of my favorites if only for the scene where he stomps on the ghoul’s head, an eyeball pops out, and flies into a screaming girl’s open mouth. AMAZING.

October 5th Plan 9 From Outer Space b/w, 1959 This movie has been called ‘The worst movie ever made’, a statement which I happen to wholeheartedly DISAGREE with. It’s far too entertaining to be the worst movie ever made. Besides, everyone knows that The Worst Movie Ever Made is Freddy Got Fingered, that cinematic piece of garbage starring Tom Green. Some friends of mine spent COLLEGE DOLLARS renting it, which are higher value than BIG PERSON DOLLARS because there’s no more of it coming in, and we couldn’t get past the first fifteen minutes. The verdict was that we all hope Tom Green dies in a fire. The Second Worst Movie Ever Made is really anything starring Pauly Shore.

October 6th Ghoulies II color, 1987 I first saw this movie as a wee child, and it terrified me. For years afterward, I would compulsively check the toilets for a toilet monster, sometimes looking two or three times before I would take a seat. This is one of the rare movies where the sequel is far, far more entertaining than the original. In this case, it wouldn’t have been too difficult considering the original, in something I previously considered physically impossible, both sucked AND blew at the same time.

October 7th The Ninth Gate color, 1999 While real men may love the ninth gate, I just thought it was ok. I’m good with the non-ending ending, I’m just not enthralled with how it got there–for 97% of the movie, the main character has one goal, and then in the last 3%, it’s like “hey, also, I want to meet the devil”. Without the driving force throughout the film, or even a larger portion of it, the last bit plays hollow to me.

Young Frankenstein b/w, 1974 Not one of my favorites of Mel Brooks’ efforts. I know, I know, I am alone in that remark. Funny sometimes, but not hilarious. However, the ‘putting on the ritz’ performance makes me laugh every time.

Up for tonight–Ju-on. Supposed to be GRUESOME. I can’t wait!