Category Reviews

A Week of Funny Notaro Women

What is it about the last name Notaro and hilarity?

On Tuesday, Anne, Boolia and I went to see Laurie Notaro on her book tour to promote her latest work of fiction, Spooky Little Girl. Instead of reading from the book she was promoting, because she feels excerpts out of a novel are awkward, given that if you haven’t started from the beginning, you aren’t familiar with the characters or any of the significant plot points, she read an essay from the non-fiction book she’s currently writing–about the time that she convinced her best friend to dress as Blanche from “What Ever Happened to Baby Jane?” for Halloween, the lies it takes to rent a wheelchair, and how she, dressed as Baby Jane, ended up trying to give the heimlich maneuver to Blanche, whose wheelchair kept trying to escape said heimlich maneuver by rolling all throughout the house and ended up looking like a scene of onscreen abuse brought to life.

Not familiar with Laurie Notaro? Here is an excerpt from “Autobiography of a Fat Bride”:

“It’s not you!” he shouts one last time. “It’s me!” That’s enough to make me stop dead in my tracks. “Really?” I ask as I spin around. “Are you sure it’s you? Because that would make my day, just knowing that it was YOU and NOT ME, especially after I caught you in the middle of an escape attempt. Is it you? Is it really you, Ben?” “Well, I guess it’s me a little bit,” he stammers as Dog Girl peeks an eye out from behind the purple curtains as one of her hair ornaments chimes. “But, well, if you really want to know, I’d say that yeah, it’s mostly you.” “Mostly me?” I reply. “It’s mostly me that’s forced you into this scene from Children of the Cornrow? God, it looks like Stevie Wonder and Bo Derek jumped you in an alley and gang-braided you!” He stands quiet for a moment, thinking, then nods his head. “Actually, it’s pretty much all you,” he adds with a sigh. “I don’t think it’s me at all. No, no, it’s you. All you. It’s not me, because the feeling I’m getting in my chakras is that it’s definitely you.”

 

As if I needed confirmation. I’ve seen that play It’s Not You, It’s Me before, and as a matter of fact, I’ve played the lead in that scenario since before I had boobs.

My role is “Super Idiot Girl,” the kind of female who searches out the most alluring sociopath to date, who never learns that if you see a tornado coming, especially one that works in a record store and displays no ambition outside of making mixed tapes from bootleg Grateful Dead shows, duck under the nearest table until the roar passes.

 

It all started in fifth grade, when my mother bought me a box of Valentines from Kmart. I searched out the perfect Holly Hobbie valentine, a little farmer boy in overalls milking a cow, for the boy I wanted to move into sixth grade with. Only a few days earlier, he had passed me a note, chunkily folded into the shape of a football, that said “Whats your shampew? Gee, your hair smels terrifik.” It absolutely declared the love that was to guarantee me perfect happiness for the rest of my life, or at least until summer vacation. In my best cursive handwriting, I signed the back of the valentine, “To Paul, I use Breck once a week. Luv, Laurie,” and, to add a sense of female intrigue, dotted the i’s with puffy hearts to let him know I was all lady, all right.

 

I can understand now how that kind of message would be chilling enough for a boy to shy away from the love of an oily-headed, prepubescent girl, but I still don’t think it reached the proportions required for him to stand up at lunchtime and loudly scream “I am NOT your boyfriend! I like Melissa Crow because she can sit on her hair and has horses!”

Clearly, this woman is my soulmate. I gushed at her and made her fear for her life a little, I think, but she was gracious enough to not betray her fears that I might attempt to wear her like a dress out of the store. She signed my book, signed Lanny’s book, and got to hear the story of the Christmas at which Anne vomited on the table after dinner and then promptly signed her book with the word ‘Hottenfoyzingoux’.

On Friday, Carrie picked me up for a girls’ night out–we went to dinner at Boom Noodle in Bellevue, charmed the wait staff as usual (making one laugh until he snorted), and then we went to Laughs to see the inimitably deadpan-hilarious Tig Notaro.

 

We laughed until our stomachs hurt, and then laughed some more, and each picked up a ‘No Moleste’ shirt–I am going to wear mine on the bus as a clear message to all the guyliner-wearing psychopaths that I’m only interested in dinner and nothing more.

Afterward, we went back to Carrie’s place to watch Sherlock Holmes, and I’ve got to say, that while it was probably the booze impairing my ability to follow what was going on at ALL, it could have also just been incomprehensible and the longest movie of all time. I say this because we started the movie around two in the morning, and when I woke on the couch at 6:30, it was still running.

I should say I was woken at 6:30; it’s not something that happens to me naturally at that hour. Oh no. You know the creepy moments in Paranormal Activity when the girl gets out of bed and just stands over her husband, staring at him, for hours, and how freaky it was? I woke up to Carrie’s roommate’s daughter standing over me in just the same way. To my credit, I only shrieked and flailed a little, but I still shrieked and flailed, waking up approximately three city blocks and perhaps even an ex-boyfriend who lives just down the street.

#HOTCOCO

Last night, I went to see Conan O’Brien’s “Legally Prohibited From Being Funny On Television” tour at McCaw Hall with Tristan. I wasn’t entirely sure what sort of show I was in for, given the opening act Reggie Watts and his utter lack of anything even slightly resembling humor. From Wikipedia: His shows are mostly improvised and consist of stream of consciousness standup in various shifting personas, mixed with loop pedal-based a cappella compositions. Aka: Wesley Willis Lite, except it’s affectated mental illness, ala Amanda Palmer and her latest ploy for attention, Evelyn Evelyn, and what have we learned about playing false disability for effect? It’s tacky, offensive, and it sucks.

Conan was a welcome funny counterpoint, being introduced onstage by a video showcasing his life after The Tonight Show–overweight with a beard ala ZZ Top, hovering over the phone waiting for a potential job to call, stuffing his face, laying in abject grief on a trampoline, and smearing peanut butter on his toes to encourage the dog to come over. After the video was over, Conan took the stage, and explained the eight stages of grief he went through after losing the show, only ever referred to as ‘the incident you may have heard about’, most notably anger–anger that people like Kim Kardashian, The Ace of Cakes, Snookie, and Criss Angel still have TV shows and he does not. Also notable: the ‘blame everyone else around me’ stage, and ‘buy everything that Amazon thinks I would also like’ stage, though in my opinion, it could have used a ninth stage, the ‘hunt network executives for sport’ stage.

He also spoke warmly of Seattle, referring to it as his home away from home since he swept in like a Viking and stole one of our women, marrying her clad in gore-tex and fleece at St. James Cathedral.

Some old favorites were brought out, changed slightly given that they may now be the intellectual property of NBC–Masturbating Bear turned into Self-Pleasuring Panda (“Endangered–and now we know why!”), Triumph the Insult Comic Dog went unintroduced, and the Walker Texas Ranger Lever was the Chuck Norris Rural Policeman Handle.

Some of Conan’s musical numbers really fell flat, but were saved by Meatloaf’s giant inflatable bat from the ‘Bat Out Of Hell’ tour, Andy Richter’s clever radio-style commercials for local establishments Dicks and the Fremont Troll, and brilliant Tonight Show writer Deon Cole. Oh, and one special guest, you might have heard of him, maybe, even though he’s a local guy–Eddie Vedder. Eddie freaking Vedder. He came onstage with a mandolin and sang a sweet version of “Rise Up”, then switched the mandolin out for a ukelele, cracking that tiny instruments make him appear larger, though Conan the giant shatters that illusion. He then sang what he referred to as his birthday card for Conan, and asked everyone to sing along as it would be “like signing the card”. The song? “Oh Yoko”, with ‘Coco’ substituted for ‘Yoko’. Then Mike McCready came out and he, Eddie, and the Legally Prohibited Band played a thunderous, powerful version of “Baba O’Riley”, Eddie flinging tambourines into the audience, getting them replenished from backstage, and flinging more out. It was AMAZING.

To close, Conan played his version of “I will survive” and “40 days”, ran out into the audience with his guitar, and kept playing standing up on a seat about three rows in front of us. I could have reached out and touched him if the act wouldn’t have been creepy even for me.

All in all, a good show and worth paying to see the man that NBC paid to go away.

My Thoughts On Avatar

Obviously, I’m late to the party on this, but when has timeliness or lack thereof ever stopped me from writing a blog post before?

Given that the movie was such a phenomeon, and certain people kept riding my case about not having seen it yet, and stories started cropping up about people being severely depressed after seeing the movie because they were longing to visit Pandora, and then there’s the epic crazy of people who believe they were Na’vi in a past life, I became intrigued and decided I ought to at least see the movie and discover firsthand what all of the fuss was about.

I also decided to hedge my bets by sucking down a couple martinis beforehand.

…I didn’t drink enough. I hated this movie. Loathed it. Involuntarily rolled my eyes, huffed, and squirmed in my seat like a three-year-old for at least the last hour and a half.

I don’t even begin to be qualified to talk about race as it pertains to this movie, save for the way it was handled made me feel unsettled, blah blah blah, shameful caricature of native peoples, blah blah blah, so smart but too stupid to save themselves and need a white man to do it but in every other respect they’re better than evil white people, blah blah blah anti-colonialism, blah blah blah, so everything I touch on is going to be purely superficial.

First things first: All of you people who are depressed after watching this movie, detached from reality, considering suicide, all because you cannot experience Pandora firsthand–allow me to rear my hand back and slap you with the fury of a thousand burning suns. Do you really feel lost, depressed, deeply sad because you won’t wake up some morning in a nightmare world where everything wants to kill you? Is all you need to be happy just some shit that lights up? Listen up, assholes: There’s nothing on Pandora that you can’t get with $50 and a trip to Spencer Gifts.

  4455536976_12f380e303_o Holy shit, it’s like I’m on Pandora!

Now, let’s take a peek into James Cameron’s brain.

“Hmm. The last really big overblown movie I made that sold a shitload of tickets involved a jillion dollars worth of CGI, had an obnoxious on-again off-again romance, had something REALLY big that got destroyed in a vast expanse of terrain inhospitable to human life that allowed for no outsider rescue, and ran about an hour longer than any other movie in the theater. What if I did that again, only in outer space? Outer space is also vast. And included a reprisal role for Paul Reiser’s character in ‘Aliens’, the evil one who was only interested in profit and military benefits, regardless of human cost? Hmm. What else could be really, really big? Pseudo-environmentalism is pretty hot, what about a really big blade of grass? No, that’s not right, too ‘Honey I Shrunk The Kids’. A big meadow? No, too ‘Little House on the Prairie’. Wait. Yes. A BIG TREE. Lord of the Rings had big trees and made an asston of money. People like big trees. The Giving Tree, now that’s a tree with staying power. A big tree that’s also an ecosystem and here comes Paul Reiser in the vast expanse of space to destroy this really big tree in the name of profits and break up the romance. Making this movie will cost at least a jillion and a half dollars in CGI and can’t be cut much below three hours. I also want to include a strong anti-corporate message. Can we get Coke and McDonalds on the phone for sponsorship dollars? God, I am such a genius. I bet I can get people to buy the same movie over and over again forever.”

4454758193_c4e6c42728_o James Cameron’s next project: Clifford The Big Red Dog Gets Killed

For as ‘advanced’ and in tune with nature as the Na’vi are supposed to be, women are portrayed to be as shallow as ever. Ladies, is your intended a pretty ugly dude? It’s perfectly fine to pair up with a more attractive guy especially if your excuse is that you see a person’s soul. We all know that attractive people have the most attractive souls, even when they’re double-crossing liars with bad intentions. Whoops, I guess you’re not as good at soul-soothsaying as you thought! You should cast this beautiful man away until he pimps his ride, at which point it’s acceptable to take him back because you want to be seen riding bitch on that impressive vehicle.

4455537078_b6eeb26d7d_o “Yeaaaaah, holla atcha boy!”

Speaking of the ladies, why do non-mammalian creatures have breasts? What must their function be? Wouldn’t they get in the way of all the bow-hunting they do, especially if they’re merely decorative? There’s a lesson to learn in this: Even if you hate everything, you don’t hate boobies. Or hula hoops.

4454797785_4e45d460d4 I got nothin. Did you really think I was going to google image search boobs for you?

Verdict: Predictable, boring, too long, but it does have boobs. D+